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U8vdqmp801: Ak: Uusi sivu: Get to know the applicant who may not know john hou, but you most likely visited his worlds . Hou is one of the most mostler -spent well -known illustrators j.R.R. Tolkien's work. Since the 1990s, haw has helped to visualize the mediterranean, creating art for various related publications of the lord of the rings, hobbit and similar works. At the same time, he provided artistic images for a more unclear interpretation, such as calendars, posters, postcards, art art, for th...

Get to know the applicant who may not know john hou, but you most likely visited his worlds .

Hou is one of the most mostler -spent well -known illustrators j.R.R. Tolkien's work. Since the 1990s, haw has helped to visualize the mediterranean, creating art for various related publications of the lord of the rings, hobbit and similar works. At the same time, he provided artistic images for a more unclear interpretation, such as calendars, posters, postcards, art art, for the cover of audio publications, offers, and shopping cards. Not only that, he is a person behind the handle for some other fantasy art projects: board games in beowulf, book jackets of ann mccafferi, magic maps: cards, children's literature and folk tales, such as rip van vinkle, jack and bainstalka pole haw also i illustrated literature about dragons, knights and what a telling ”,“ textbooks, how to draw your personal fantastic art ”. He and alan lee, another outstanding illustrator of tolkien, serve as conceptual designers for the sake of his "lord of the rings" trilogy. Jackson said that even before he hired hou, the illustrations that haw painted gandalf (see the image of a banner above), the end of the bag, the balrog and the flying animals of the name helped to direct his vision to the middle land.

Today, understanding the millions that jackson's films, howe can be attributed to formally form the same as we see the world of tolkien on the screen and in a commercial imagination. Someone hired to design every dwarf ax, an evil tower, a hobby mug and an orc prosthesis, and haw had a hand in almost every decision about “look and a sense of average”. At first glance, the endless production documentary films found in the contrended edition triti dvds, he has become a kind of celebrity, at least among people who are concerned about the scriptures, dreams and models working on a special workshop of house weta and the unforgettable jackson empire in wellington, new zealand. (Howe actually operates on 3 feet 7 ltd. New zealand industrial company created by warner bros.) With its colleagues, howe brought new levels of adherence to the design of the film.

John hou pole photo: fatan haw. Sit on the spot. "

tag team of howe and lee returned to wellington when jackson decided to adapt the hobbit trilogy. The first part, hobbit: an unexpected journey, appears on christmas 2012; the second film" smuuga ", driven down in the cinemas a year after the completion of this. When the “extended edition” of an unexpected trip was released last year, the fans felt an additional taste of haw's magical touch. Expect that the same rise during hou, when an additional version of dance mix appears in october or november the second film. Of course, there is also the final release of the trilogy, now with the last name “the hobbit: the battle of the five armies”, which arrives a little more than six months, in december. Not the most amazing story. He was born in 1957 in vancouver, he grew up in british colombia and at a young age began to spread to artistic temperament. On his portal, haw recalls “gaps in tears of disappointment” when he could not draw a cow since i wanted ". He found the lord of the rings and began to devour fantastic novels in a soft cover, collecting them "for the cover." He was involved in these artists, like frank phrandett (“semlog status”), barry smith (conan) and bemi raitson (swamp). It is interesting that his vision of the calendars of hildrandt tolkien (1976-1978) showed that it was illustrated. " He analyzed the calendars, receiving his own versions of the same scenes that the hilderandt brothers made. In 1976, haw moved to france to attend an art school in strasbourg. After which he moved to switzerland and has since been there. He widely demonstrates his art. He also made a transition from wood and graphite to a digital handle. Today, when he is not in new zealand, working on the film,-and get it, he spent two years working on rings and still almost four and a half years on a hobbit how to life in a nonsense, working as a freelance illustrator.

I had the opportunity to take john's interview twice. For the first time i talked with whom with the help of skype from his apartment in switzerland, in january 2013, immediately after hobbit: an unexpected journey was developed. After everything became busy that he returned to new zealand to continue working on the next two films of the hobbit . John and i reunited in july 2019 to complete the interview. (The gap in the interview is noted below.) We also more than once caught up with email over the intermediate months. And reflects on his life. In our conversations, we talked about the differences between work on the rings, when compared with the hobbit, how developing digital technologies influenced his artistic career, and whether he once burns on tolkien, among other topics.

“The work of a conceptual artist is not done”

January 2013

Ethan: thank you very much for the consent to talk with me. It is so funny, i feel that you are also likely to get this line a lot, but i feel that i already know you, due to the fact that i saw so many sex files about all visitors on various “creating dvds.

John: i am sure that i dissuaded my head. I did not listen to them at all. Yes, in reality i just returned yesterday. > john: darkness is there, but under no circumstances no more than 3 weeks or a month here over the past three and a half years. A lot of my time was spent in new zealand. John: well, like this is not so house away from home! We exist in a furnished house, so i try to resist my natural tendency to continue to buy literature and try to preserve our presence there so convenient - sometimes not successful - such a fact has become a kind of long -term temporary location. The house definitely returned here. I know that the main photograph in the first film was taken, but you probably have more work, turbo mines to join another zealand.

John: it seems to be more by work, until the last pictures are carried out. Meanwhile, this is a very, very change, from this day when you often make a conceptual virtuosity that have moved to production, and due to that, the client does not need and do not need at all. Now it seems that this is just up to the end. It seems that the work of the artist of a conceptual artist is never performed. Presenting new things and invented new material for the third film or did it quickly shift what has already been shot and conceptualized in three films? Or on the road there are a certain amount more to collect together, for the most part of the last film to you? I think that such a peculiar question is when the house has a little more time to develop the same squeezes that they will not look at anything in 2 films. Therefore, as far as i can judge, because in fact it does not change a large amount. If, of course, peter and his co -authors will not diligently write new material, which they cannot turn on additional episodes and completely new locations will come in handy for well new masterpieces of art and, perhaps, we are able to spend a little more than more minutes on the feat of more detailed views about the media to which we will be, but i can’t think that a bunch will change. Will you have to return to do a little shooting? Only when the film was torn from his hands to become delivered to come out, he will agree more, he could not do anything. The sand has this delightful ability, so that anyone develops and changes along the way, and some miraculous understanding of the state’s film, which allows him to achieve these changes.

Itan: for me it sounds like an amazing process - and i was wondering if you and alan lee felt in any case, because you visualized tolkien’s work as long as independently in films and since the time, as the owner at some point just throw his hands up and say: “enough tolkien! I need, well, perhaps, at all, you will agree, not to draw anything, but if i am going to draw a moment, am i going to draw something modern? ”

John: well, this is a strange part in this. In fact, we just talked about it that and meanwhile it is strange that we did not exhaust and were not tired of all this, but it seems that all that we draw is just another opportunity to explore something, more. And i do not think that we will get to the finish line with such films or to the end of our enthusiasm and interest, no matter how it sounds. I think that the amount of work necessary in pure illustrative terms to reveal such a universe in 3d, because peter loves to develop your scenes, it simply means that you continue to communicate with the new ones, i should not talk about problems, but in general the new one that should be done constantly. That this in no case can become a problem: "oh, in general we are again." It is truly: “oh, my god, how about this. Of course, let's risk it. ” So, this remains in the same way fun as it is real at the beginning, although the actual use of work is now very different, due to the fact that we are working to shoot and fill holes, and change green screens, completing objects that are that it we scored just a couple of years ago.

Visualization of the hobbit against the "lord of the rings"

Ethan: i am aware of which are in the hobbit, but the main elements and geographical location are available. I can imagine that since the larger work is the general parameters of the visual gaze of this world, the average landing was installed in the “lord of the rings”-you do not plan to go, and recalculate hobborton and never recall rivendell. You will be able to provide such assistance. And noticeably further east. Therefore, it has an element of exotic, which is very, very different. This is similar to head to st. Petersburg, but i do not go to rome, if you want. Although this is a very, very different universe, but, nevertheless, she should still feel that the porn leaf can be plausible to keep everyone else. We offer what remained very instinctively with our company. Our company is not selecting electric tables and control lists. The question is easier than the question of what a person feels. Because in tolkien there is not a single big description of when things look like? Or do you not feel that this is so?

John: no, i do not feel that this is a restriction. I believe that the feeling of middle-earth tolkien is very, very strong and instinctively, which provides guiding principles of what seems “right” and what does not exist. I know that there is the most difficult to qualify and quantify, but the concern is very instinctive, and visitors quickly reach a point when you feel that it is not entirely logical. ” Also, you do not even pursue, because something easy, does not feel that it is suitable. On the other hand, here it always seems, we know how it should look (this is also one exercise that is difficult to do). When a person needs to draw the architectural style of dale, we do not run out and do not explore on the right and left and copy the insert from a variety of fragments together. Based on the brief presentation of peter and the application of knowledge about the history of architecture, coupled with information, which all this is suitable and preparing these design features that establish the architectural style, let them fictitious in this situation, you quickly settle on emotions ”for the place. For example, everyone who visited the set of dale said that the person reminded them approximately, on which they visited, but no face of whom gave the same segment. I thought about more bizarre touches. And having surveyed the film, i feel that peter and screenwriters of philip boyens and fran walsh did not make him a cheerful children's fairy tale as much as they really connected the topics that live in the hobbit of the lord rings. There probably some dark material remains there. It was not because if the observer suddenly came, say, a new place, which we also didn’t look, a wild, surreal place in the hobbit, and a circus atmosphere will suddenly appear in it, which does not include how everything looks. How to say, how does beorn's house differ from edora? They would be made in some way. The structures of the barn, etc. Etc. Are not made of gingerbread in a hobbit simply for the reason that it is more bizarre in tone. Close to everyone, in order to actually try to splash these two universes into one. I believe that the hobbit is called to another universe, a lighter, more bizarre children's book that would actually disappear because tolkien is able to suggest if he had not written a hobbit in the first place. Due to the fact that when he wrote a book, he could feel like a nuance that at that time was completely new. And the inclusion of all fairy -tale elements was such that he transferred to his first walk around the middle -earth, if you wish, and i do not believe that they were practically preserved if he had the opportunity or even a desire to go back and engage in hobbit. He would be able to wish something less, like a collection of stories, something that was better in accordance with the fact that the player came to write for the “lord of the rings.” In fact, this can be seen by the naked eye, suggests that you are not you can arrange, however, in order to relate to this first raids, which was a very naive version of the collection of stories in this world, as something completely different, i believe, it would not make sense for a long time. It was a very circular way to notice that i believe that this kind would simply make the best storytelling of stories in order to actually enter all this in 1 and the technical conditions of the universe. For example, his elves gathered depth and gravity someday for the middle earth. The hobbit offers us an idea of what is happening around the children's eye, complete with funny, almost fabulous elves. People would have met quite alarmed in order to go to rivendell and see the elves, as tolkien described the videos in the hobbit. Singing audio files, and so on. From the rings to the hobbit, but not vice versa.The rest of some of these fifty years returns and tirelessly focuses on all work so that the knitting needles are all consistent - in order to make a coincidence with the silmarillin with the hobbit match with the lord of the rings. The hobbit style is identical to a bright super -collapse in a solemn book. The hobbit is full of serious topics. This is not a cheerful fairy -tale world, even if there is a whim and light fantasy, at least, nominally. In beorn, there is nothing particularly bizarre who returns directly to the topics of the vikings. One of the ancestors of smag, perhaps a dragon in beowulf, and such a nuance is a very serious story. Thranduil and his elves, although they are placed in a rather carefree way, however, the elves who were going to not leave the middle. And this is, meanwhile, a rather deep point that has risen to that in connection with which they are not released; who are these elves and what are their relations with others. And the whole story with the gnomes, which is only slightly spent in the hobbit, appears in applications to the lord of the rings as much more serious material than just a story before bedtime for grandchildren. Therefore, everything is there, but when grandfather is told so, it watches porn with a completely different story. It is difficult not to make mistakes in the narrative for the content from time to time. I misunderstand the name, ereor, right? Lonely mountain? I had a chance to return to the hobbit recently in order to see how many words tolkien use to describe what this city looks like, but it seems that it was not very much. And from this you and alan extopolit the whole place and the kingdom, which, of course, have echoes of min moria, but even his own. Earth. (Or, at least, this is what is in the script; i did not return to read the hobbit for a long time.) One of the problems was to do something else reminiscent of moria to make it a little but otherwise. We both had hands in this one, although alan, i believe, for three months, working on the prologue, making dozens of works of art, in the past era, as i was under the foggy mountains, and the goblins tried to draw me, along with the gnomes. Side. This was a rather tense time. Almost every day we joked that we were in a hard place as conceptual artists, but when you draw your vices into a corner, you have the opportunity to easily draw a door in the wall, open it and make it.

digital effects: “today everything is possible”

Ethan: you felt how the volume and pace of skill and the interior, and besides, products that you need for manufacturing for hobbit, was included in comparison with the “lords of the rings”, or was the time shorter, and did you want to create more? Recently, the digital effects were normal, but people did not turned into a next to such a fact that the latter are now. And now absolutely everything is possible. Thus, there were shots that were taken a month before the film was supposed to be released, completely digital shots or shots, when there was only a small part of the plate remaining in them, and others - the green screen. This requests a large amount of food, which is, in fact, conceptual art, however, in post -production. The entire nature of the production has changed, especially eroding the lines between the preliminary production, manufacture and post production. Of course, production still means when the actors are present, the sets are dressed and lit, and the cameras are rolling, but the rest is in a constant state of creativity. It seems that preliminary production lasts as long until the film has been delivered. But i can understand that the ability to change furniture in the last minute happens disappointing.

John: not really. To say, this is very exciting, because, obviously, when you turn to rude reduction, you interact to shoot cameras, you create new scenes that are necessary for that in order to truly match the other, who were already shot and, at least, partially completed. This is a rather juggle act so that all this functions comprehensively. However, this is true, there is a lot of pressure, mainly because you painfully realize that the works of art that you do today will give work many people over the next series of weeks. You should really be very concentrated to pull out one of the genres of art and provide them with the information you need to extend the scene. What does this mean to dream of how lighting, 3d space, animation and everything you need, so of course it is quite exciting and in the right extent fun. The technology is able to bring, for example, a rivendella-boat set should be less and less, in order to be created for actors to walk? The set could only have a pair of “real” designations to give it a [https://turbominesgame.com/ru/ turbo mines] three -dimensional feeling, and the rest of the set, one masterpiece, can be projected or inserted on a green screen later.

@> John: well, theoretically, you could have time with only actors vagrant in pure, green set, but i do not think that it would be very pleasant options. I am aware that it is incredibly difficult for them to imagine their role in the environmental environment, which does not belong to the environment. Wanting to help, i think that in reality the construction of sets does not change. There may be a more expert separation between sets and digital extensions, due to the fact that the whole nature of what useful thing can be understood in digital form, changes too easily. Still, the actors are in the hospital of the film, and i am the brain that the models are needed more than before, even if they do not always appear on the air. And it is quite amazing how many every actor playing the digital character is clearly noticeable, even when he completely changed physically. Gollum, for example, is a lot of andy serkis, which would be difficult to conduct gollum without him. This is a kind of question about where and how to deal with the very beginning, how far digital one needs to invade the environment in which the subjects need. I believe that the set building process will radically change in the near future. The physical presence of the world's world you need is initial, in fact, to exist in a convincing set and actually get the opportunity to understand a believable environment. But, on the other hand, the volume of things is now so great that it has no reason to do this except digital, therefore there is a huge amount of creative thinking from models that peer into an adult, large flat wall of green and say how beautiful the sunset is. This should affect how they are suitable for the art of acting. It is required, however, such a step is true that the whole scene is united in a much more complex way than was done 10 or two ago. It was published that jan mackellen (gandalf) was somewhat disappointed, possibly much less due to the green screen itself, but with the new way the “scale”-that the hobbit should be shorter than the human being solved. Peter jackson led two different sets at the same time and the actors did not interact with each other directly. Mccellen did not talk to anyone, and martin freeman (bilbo baggins) did not talk to anyone in another room and two performances were later united together, digtically.

John: yes, it will take so difficult for actors. Here is the case in the line of vision and the necessary these remarkable phenomena, which are happened between several people, when the cinema together, the scenes that are required to be very difficult to reproduce if you look at a green ball the size of a completely green set directly with such a fact. Where are other actors. And again, this is a tribute to the talent of talented people, like jan mackellen, really convincingly cope with this. This should be terribly difficult. But still, this is probably a good way to make these scenes, since the scale of scale is very important. We can imagine how the team shot in technical conditions, where they run along the hill slope, before being driven into the corner in the pines, and the dwarves flew around the plot, and jan mackellen descended along the green tilt, just to the opposite of such problems even on the screen you you have the opportunity to see each of them together in real time. This was unusual. It was still quite rude, it was still a little dirty with silhouettes and everything else that allows peter to actually direct everyone at once. And they make the same capture of movement. Early, you were facing the capture of the movement separately, “but”: at this step they actually were able to make the “mocap” gollum (andy serkis) on the shooting, and martin freeman acted before him, although andy starts like andy begins i do not know from the camera attached to his face, which is covered with white dots. But young ladies can very small things. And everything is done to help the actors through this, because this is not an easy job.

Ethan: what about users, for their process? I saw on one of the production videos, it was either you or alan, on the basis of a digital pc and i suggested that the paintings are moving directly into a hard drive of a animator, and at the end he or she can serve on it. How did digital technologies change the way of producing art on the internet beyond recognition? Do you do less drawing with a pencil on a piece of paper, in our time so much of this is transformed into digital material later? The scene we conduct. Often the original conceptual art is most correctly performed with pencil and paper to quickly convey such a thought. And after, in that case, he goes further in the production of toys, further down the line, it is necessary further than information and at a time, it follows, or, rather, it is more effective and much more productive for creating full -color works designed, lighting and everyone else.Although, again, weta digital is full of very talented inhabitants and there are times when we provided a really quick sketch of the pencil, and many artists of the layout left and returned one day later with a full 3d environment. So this is really a matter of the required information, because our employees are trying to work in the field of this. Therefore, this means a lot of digital works, a lot of photoshop, due to the fact that this is the most quick way to get the maximum amount of information later in production.

Ethan: conveniently with such digital tools? Or, given the choice, would you always like to use a pencil? They are really there to help the visitor create the best work for the priority for which the certificate is taken. And such a moment is undoubtedly quickly, to physically draw things that you have a day or a day and a half in photoshop, will put you literally weeks to spend with a brush, at least to the level that will be in demand for the film. I started using photoshop for about a year and a half. I have never used it before, of course, not in order not to draw. But, again, the programs are so great focused on instinctive use that even people, like me, can get demand. Be draw the blades every now and then "

Ethan: for what are the areas of the world of tolkien for which you were mostly responsible, compared to the moments that alan lee did? This has changed since the development of the lord of the rings ? I commented on the end of the bag and made five extra holes for the hobbit for hobbiton. Alan processed rivendell, and then, however, everything was large for capture. And our company both contributed to some degree in all the environment, although we turned out to be, we found ourselves, with the help of a temporary framework, capturing certain. Dale was that i had a big role in design, but alan finished it for a prologue. Everything went to erebor. He and i both worked on the goblin kingdom, but i took it as a result, you can see in my own the final form. The house of radagast was probably mainly of my work, but alan had a large hand in its development. (In fact, i brainwashed that ufarozaopt.Ru should appear, took a number of versions of radagast before calculating the correct one. Beorn's house was extremely the same, although, of course, the second film.) It is finally very difficult to make a decision, who exactly did what. Have you had two difficulties with the territory? Initially, we both would do conceptual work in all conditions, and peter would choose from the above from this. And then, after we provide our topic, it was more about who was a prerogative for the activity that such an abundance of affairs was accumulated. Therefore, we were quite rational in them, as we finished finalizing everything. And i believe that everyone said, we probably made from five to six thousand works of art. Such a step may seem impermissible much, although it has changed from the quick sketches made in 15 minutes to the hard design of the full -color final works of art.

Ethan: how do you organize all this? I think that after some time it is difficult to track the fact that you have created. “God, i drew 100 goblin. What goblin i liked immensely to my liking and who has it? "

John: absolutely! You return through the server and look at your own work and think: "keep god, where does it come from?" Is this what you actually painted, and the visitor completely forgot about it? Everything is sufficiently well organized thanks to servers and diligent coordinators, so we can easily use the works. All physical works of art were photographed and digitized, then even the film is on the site nearby (if we can simply remember in which category it was set).

Ethan: i am a little curious about your relationship with alan, how did the landing page developed. It is clear that it is necessary to love each other, because you spent, from the fact that i can say, working together for a lot of free time together. How many years were now, between the lord of the rings and the hobbit? Ethan: and you did not know him in the same way before she began, right? We actually met on an airplane between singapore and auckland.

Ethan: oh, right. I remember this story.

John: yes, we dealt with the connection before, very vaguely. And we were in touch shortly before the entire project began. But i always admired his work. Therefore, we knew each other's work very well, but in reality we had not met before. But i do not think that it would be comfortable to cooperate with one whose work you did not appreciate. And although it is quite difficult to believe that another designer constantly comes up with brilliant ideas, much better than working with someone, whose work you do not value.There was a huge degree of mutual respect and the knowledge that if a person did not win this concept, nailed themselves, one of the competitors did it just as well and, probably even more beautifully. In the end, the collective type of film is important, such an aspect that we are able to act as a tandem in this area, plays great significance. And we will come to the office and report: "what did this drawing make you?" And although our color work is completely different, many pencil work can be very similar. This is a very, very harmonious working relationship.

Hobbit: the desolation of smag sets: “i am thinking that there are many surprises”

Ethan: there were some serious creative breakthroughs or something at this step. Or in the viewing of the god, what are you proud of your own work on hobbit?

John: really! This is really one and it is a story, you hope a really new idea in your free time. We were quite satisfied with the sets that can be done, for example, for dol guldur, and beorn, which was my favorite set; none of which you know a lot. I can’t wait in order to understand them. I was very, very pleased with the house of radagasta, from the inside and outwardly, although we never saw him on the screen. This was the first built set, which was no longer left visited during the lord of the rings. (The sets built before, were hobbiton, bag end and rivendell.) Radagast's house was the first step in the fundamentally new territory, but it is not even in the book. It is interesting that this remained immensely, very similar to the hobbit, unlike the lord of the rings. It seemed bizarre and light, slightly strange and slightly strange, with strange shamanistic quality. Radagast spontaneously is a shamanistic figure, so the environment ultimately reflected his bizarre personality. And then we went on. For goblin world, peter really intended to equip him with the other year after year a black hole in the ground, with terrible goblins that dived. So there was an idea, so that anyone was revealed on these platforms, creating a truly much more interesting universe than much at the bottom of the cave. And our employees simply continued in this world.

Ethan: what is it what, finally, to see something after these years indicated?

John: i found it tough. We saw a video at the modern premiere in wellington, but i wait five weeks to pass by, before returning and seeing it again. This restriction turned out to be so close that i was not able to say how all this was. I continued to ask my friends: "what do you think about the new film?" A person who is actually not turned into involved. It would be such a pleasure to be briefly an amnesia for a few and a half time and go watch this film, as if i had never seen a trailer before. Wanting to help, i envy citizens a little, which did not work on it. I believe that the audience, when they go, she will feel in the place that they know remarkably, but suddenly he will go into the adventure to other parts of the middle -earth, which they did not see in addition. Ethan: and almost 10 years have passed since the audience saw the return of the king, which came out in 2003.

John: yes, i really expect him to finally come out; i really want that so that this was a big hit. Brown fingers. But i am the brain, once again, anyone who returned a couple of years to go back to middle-earth, conducted this operation with their enthusiasm insanely untouched. Although this is a very different offer to make 48 frames per second, and 3d, the fact is still to try to translate the perfectly beloved book b, i believe that it will become a classic of fantastic cinema. Each of us worked very hard for all this to happen. So, the fingers are crossed, and we will see how this will go.

"The whole nature of the post-production has changed"

July 2013. Ethan: six months have passed since i spoke the last time with the patient in january. Are you still in fresh zealand? Meanwhile, this was never more busy for anything.

Ethan: how is the atmosphere in production offices in our time? Do you and alan are still working on films two and three? “Digi,” as they say, is a very, very amazing place, full of talented people from literally all over the world, all of them are set for a long time. I am sorry, which is not rather pickups. Although stone street studios is just a two step, it seems that it is so much that it is impossible to hang around. But they are very concentrated and incredibly busy, so they are unlikely to be necessary for tourists who are not suitable! I am going and trying to make a tour of the sets in order to take pictures that, as i know, will be useful after in a message on the page, but it is best to do this in the process of a lunch break.

Ethan: what did you work only?This can be quite demanding, remaining creative, knowing that i have little time to waste time. Exclusively, however, we are still doing everything that is originally, although now it is several times more focused on reduction. The conceptual designer is changing now that films are in the stage of post production and shooting. A series of sketches that reflect the appearance of the environment. Then he enters the digital pipeline (from which i only have a capture of a non -professional), and it is built, almost in the same way as sets, although at this step the sky is the limit, but not the mesh of the sound scene. This is very interesting, and i cumak that i learned much more about the whole process last year than in the previous three. The whole nature of post -production has changed in the 21st century, so it was the general recognition of a steep curve of training. An innovative approach or change in the last and third films with a focus or accent or changed the design on a particular aspect? I wonder if peter jackson said: “well, people seemed to think that there were too many actions on an unexpected journey, therefore, give me something else for a barrel-like sequence or shots in the hall of the elfing-zalov” or something lies as a decision to commit what was originally by two views of you? Years: bring the visual effects that peter is looking for. We follow the design leaders that we have developed in the preliminary production through production and increase them inevitably. We also they developed sets for pickups, although this was part of a large push more than one month ago, and developed how much our company is capable of with all other work, ideas for new sequences and scenes. How sure, you can imagine, peter and these co -authors were engaged in the reconstruction of scripts for films is two and three, therefore, although history is still coming from a to b, or, rather, here and back, they have more latitude to work with. John: you also definitely wait for the film to watch burn, but again, i am the brain, we provide a lot in this set, which is accumulated completely different. And later before mirkwood, the forests of the rest and the rest of the rest. I am the brain that there will be more surprises. I am the brain that the audience will find themselves in the universe that they expect, but are attached to everything that they also did not imagine. @> John: i admit, i want to turn to my natural habitat. I really wonder if anyone remembers me! We were so busy, working, i did not work for an eternity on the method, which, i usually do it, since everything is digital, for unsurpassed) exclusion of pencils and albums, it is still unknown whether i can actually remember how to draw the truth. I could not do a lot of work abroad of the picture, but i have several projects that are gradually progressing, but they really move without wandering snails.

Ethan: well, it was a pleasure from the point of view of disgusting, tolkien, point of view of peter jackson nerda, it is personally very interesting to finally see you with the help of this. Just a personal thrill to finally meet at hand as a serious admirer of your work. Perhaps someday our paths intersect. In fact, i was at the fantastic film festival neuchâtel two years ago. I was a guest to talk about my book fantasy freaks and game fans. Therefore, i thought that i could face you, or you were probably present earlier. Are you actually in the main part of neuchâtel?

John: we are just on the edge of the city. This is an extremely beautiful city, relaxed, quite short and aesthetic. But two years ago i would be in new zealand.

Motopedia - Käyttäjän muokkaukset [fi]

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